Hey everyone, welcome to the final Fabularium blog of 2018! As it’s the last blog of the year, I’m going to update you on what we’ve been up to recently, what we’ve achieved over this past year, and what our plans are for next year. Sound cool? Awesome! Then let’s get to it! What we’ve been up to recently This December has been pretty busy for us, we’ve been working on new things in the run up to Christmas, as well as a fun venture northwards with Reynard the Fox… Last Reynard performance of the year We had our final performance of Reynard the Fox this year up in Market Rasen, Lincolnshire. We performed the indoor version of the show in the Festival Hall to a lovely, warm welcoming audience, and we were joined by the amazing Anna! Many thanks to Market Rasen Town Council and Live & Local for bringing us back up to Lincolnshire, and to our great audience! We had such a lovely evening performing, and it was a great way to end this year’s tour of Reynard the Fox. Though Reynard himself isn’t quite finished this year, because… Kew Gardens …he’s now in Kew […]
The Big Blog Post Hello World! It’s been a little while… Apologies for the continued radio silence, we’ve been exceptionally busy, but if you’ve been tuning into our social media feeds then you’ll know just how crazy and exciting things have been recently! So, here is one of our infamous BIG UPDATES to give you an insight into what The Fabularium has been up to over the Summer. There Be Monsters! The biggest piece of news came a few months ago when we were fortunate enough to recieve Arts Council funding for our new Don Quixote-based promenade/walkabout performance There Be Monsters! We also recieved support from the wonderful people at the Birmingham Hippodrome, Deda Derby’s Offsite Programme, and Appetite Stoke. We spent June and July working with Jim and Matilda, two freelance actor-musicians we auditioned, to devise a new production that would promenade around the streets of Birmingham at Summer In Southside. This show was a step in a new direction for us, as we wanted to create a show away from the Animal Headpieces and exploring a roaming show, but still maintaining our key features of storytelling, live orignal music and mask work. On this show we also worked with Director […]
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