The BIG Update

Good morning all! Firstly, a huge apology on the delay of our blog posts, it’s been a manic time for us with a mixture of different things in the pipeline that are coming to fruition, so I’ve been swept up in the whirlwind of it all and thus focusing on the paper trail that the whirlwind has scattered everywhere. But now, WE’RE BACK! So here is the BIG update! Arts Council Funding Ladies and Gentlemen, Boys and Girls, People, Players and Peasants alike: WE GOT OUR ARTS COUNCIL FUNDING!!! We applied for funding to proceed with Phase 2 of Reynard the Fox; developing the show into an indoor version that is fit for rural touring venues. Alongside running New Landscapes in March, we returned to the rehearsal space ourselves to refresh Reynard and extend the length of the performance, playing with the script and characters and set. This also saw the return of our outside eye, the wonderful Niki McCretton from Stuff and Nonsense Theatre, who spent a few days with us to help explore the intentions of our characters and tighten all the nuts and bolts. Niki McCretton and our friend Maria joining us for our dress rehearsal The end result was a […]

New Landscapes Week 2 – Acrobatics and Archetypes

Afternoon all! It’s been a fun second week with Coventry University 2nd year theatre students. We’ve been getting stuck into the physical side of outdoor performance, visiting basic and intermediate acrobatics and acro-balance, then looking at developing archetypes and stereotypes. The acro sessions, as always, were good fun with many people wanting to experiment and push boundaries. Already plenty of good rolls, cartwheels and handstands to show for it and I’m looking forward to see what comes together for the big acro piece at the start of the show! In the following session with each group they presented their scratch pieces that was assigned to them last week. The outcome was very exciting: 8 great short pieces of theatre with so much potential for an outdoor spectacle. Now that their parameters have been extended and they know these will be their pieces to present in the show I’m curious to see how they utilise the playing space and the audience. Then after a singing refresher we moved on to a technique that has had many names and the practitioner who taught it to me called it ‘The Ministry of Silly Walks’, reminiscent of the Monty Python sketches. I used this technique to develop […]